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Wednesday, April 23, 2014
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Note from the Editor:
Sorcery, Silence, and Becoming-Comparative Literature
Animal, Artist, Hybrid
Thursday, April 18, 2013
back to issue 1
A Note from the Editor:
The Role of the Critic
Thomas Prendergast
The University of Chicago
Im Anfang war das Wort:
Vichian Theories of Language, Genius, and History in Goethe’s Faust
Sophia Natasha Sunseri
The University of Toronto
The Incommensurability of Past and Present:
An Exploration of Subjectivity in “Philomena and Procne”
Yasmeen Malik
The University of Georgia
Perec’s New Approach to Nihilism in Life, A User’s Manual
Lucy Beeching
Make me Unhappy: The Pursuit of True Happiness in Etgar Keret’s “So Good”
Adrianna Gregory
The Flâneur as Reader:
Effects of Memory and Recognition in Orhan Pamuk’s The Black Book
Dominique Hétu
Université de Montréal
Seeking Home and Spatializing Daily Struggle: Strategies for Survival
Emil Archambault
Concordia University, Montreal
Silence from the Past: Keats and Kierkegaard on Coldness and Temporality
Saudamini Deo
Jadavpur University
The Iliad and the Ramayana: Narrative Techniques
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